The Last of the Southern Belles

Tuesday, June 26, 2007

Every Face

Pachuta Cemetery 2007





They dropped like flakes,
they dropped like stars,
Like petals from a rose,
When suddenly across the lune
A wind with fingers goes.
They perished in the seamless grass,--
No eye could find the place;
But God on his repealless list
Can summon every face.

- Emily Dickinson

Tuesday, June 12, 2007

Best Foot Forward



I saw a sign on a church marquee today that read, "We know you put your best foot forward, it's the other one in need of attention."  I am reminded of the concept of "the shadow" in depth psychology.

The shadow is sometimes referred to as the bag that we drag behind us that holds all of our repressed and hidden qualities that are not only hidden from others, but also from ourselves. Within these hidden qualities reside not only the dark and rejected aspects of our being, but also light and positive attributes. Our task to bring both the dark and the light into consciousness so that we can own what is ours and not need to project it onto others by demonizing them or by hero-worshipping them. If you want to discover some of your shadow aspects, examine what you don't like about your neighbor.

Think upon the following quotes:
  • Anything you hide in the basement has a way of burrowing under the house and showing up on the front lawn. -Howard Sasportas
  • Shame is the gristle we must chew on to integrate the Shadow complex. -Gilda Franz
  • If my devils are to leave me, I am afraid my angels will take flight as well. ~Rainer Maria Rilke










Sunday, June 10, 2007

Called Home


-Image by Alan Walker - Creative Commons license
Because I Could Not Stop for Death
by Emily Dickinson
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality. We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility. We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun. Or rather, be passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle. We paused before house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound. Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
I love Emily Dickinson's work. One of these days I am going to her museum in Amherst. It is only about an hour from the college where I work, but as often happens when one is close to a place, it is never visited.  But, I will go - when I retire.  One summer when I was first married my husband and I lived in Buffalo, NY while he did a summer job related to his studies. He worked with a man that had never been to see the falls in Niagara Falls.  That epitomizes the "don't see what is close to you" syndrome.

Engraved on Emily Dickinson's tombstone are the words, Called Home. So may it be for all of us.

Friday, June 8, 2007

Southern Belle's home


This is a photo of the Last Southern Belle's home. Back in the day, it was all white and had a spindle porch rail going around the whole front and part of the left side of the house. Out in front, near the street, there was a stone and cement fence running the length of the property line. A huge oak tree stood out near the street and shaded part of the right front yard, but it is gone now. All in all, the current owners of the house have taken good care of it and it is well maintained. I wish I could see the inside of it. Even more, I wish it was still in our family, as it would make a great retreat in the deep of winter. I often return to the house in my dreams at night. It still holds a powerful (perhaps unconscious) attraction for me. The table that is standing to the right of the front door is made (I think) from an old Singer foot petal sewing machine that my grandmother had upstairs in the house.
*
I set the above photo as the wallpaper on my computer, and it gives me great pleasure to look at it each day. The photo on the bottom of the narrative is a side view of the house and the side porch. Porches play a large part in my memories of the house - the front porch with the rails, the side porch with a swing and a screened in area that housed a green metal glider, the back screened in porch where Sally shelled peas.
*
The weeks I spent at that house in the summers of my youth are among my happiest memories. There is a big ditch that runs along the street on the opposite side and it is still there. What fun it was to play in that ditch and jump across it. Numerous are the times I walked the spindle railings on the porch, balancing so as not to fall. There was a handrail on the side of the front steps of the house that I also used to love to slide down; once I fell and cut my head pretty badly. The little stone walkway provided unlimited fun, as did playing bounce-the-ball games against the wall on the front porch, as did playing in a hose out front and building mud houses and populating them with ants and roly-poly bugs.
*
I would spend many summer weeks with my grandmother in that house, once my grandfather died. Sounds of the night are still with me - the clock ticking on the mantel, the train going by on the tracks up the road, the hum of night insects and a dove or whippoorwill calling. I would sleep with my grandmother in her bed and she would rub my arms and ask how I could sleep without covers, saying I would surely be too cold. Our lives consist of many lives lived with many different people in (for many of us) many different places.
Thinking of days gone by and loved ones gone, I am reminded of another poem I used to love. The drawing is from the original book and is in the public domain now.

Out to Old Aunt Mary's
- James Whitcomb Riley
Wasn't it pleasant, O brother of mine, In those days of the lost sunshine
Of youth - when the Saturday's chores were through,
And the "Sunday's wood" in the Kitchen, too,
And we went visiting, "me and you,"
Out to Old Aunt Mary's?
It all comes back so clear today!
Though I am as bald as you are gray
Out by the barn-lot, and down the lane,
We patter along in the dust again,
As light as the tips of the drops of the rain,
Out to Old Aunt Mary's!
We cross the pasture through the wood
Where the old gray snag of the poplar stood,
Where the hammering red-heads hopped awry,
And the buzzard "raised" in the clearing sky,
And lolled and circled, as we went by,
Out to Old Aunt Mary's.
And then in the dust of the road again;
And the teams we met, and the countrymen;
As thick as butter on country bread
Our cares behind, and our hearts ahead
Out to Old Aunt Mary's.
Why, I see her now in the open door,
Where the little gourds grew up the sides, and o'er
The clapboard roof!
And her face ah, me!
Wasn't it good for a boy to see, and
Wasn't it good for a boy to be
Out to Old Aunt Mary's?
The jelly the jam, and the marmalade,
And the cherry and quince "preserves" she made!
And the sweet-sour pickles of peach and pear,
With cinnamon in 'em, and all things rare!
And the more we ate was the more to spare
Out to Old Aunt Mary's!
And the old spring-house in the cool green gloom
Of the willow-trees, and the cooler room
Where the swinging-shelves and the crocks were kept
Where the cream in a golden languor slept
While the waters gurgled and laughed and wept
Out to Old Aunt Mary's
And as many a time have you and I
Barefoot boys in the days gone by
Knelt, and in tremulous ectasies
Dipped our lips into sweets like these,
Memory now is on her knees
Out to Old Aunt Mary's!
And O, my brother, so far away,
This is to tell you she waits today
To welcome us: Aunt Mary fell
Asleep this morning, whispering, "Tell
The boys to come!'
And all is well
Out to Old Aunt Mary's! *
The last memory to share today is of the little Methodist Church that was catty-corner from my grandmother's house. My grandfather's name is on the cornerstone, as one of the original trustees of the church. The little church, too, is still in good shape. We had a service for my mother there, and my daughter, a minister, officiated. How proud my mother and grandparents would have been of all their grandchildren and great-grandchildren gathered to celebrate/honor my mother's life.
*
The song in the posting below always reminded me of this little church and evokes memories of places of long ago.

Friday, June 1, 2007

The Old Schoolhouse


A week and a half ago my family returned to the southern state that was our original home. We went there to take my mother's ashes for burial. Driving around the little village, we saw things that had changed over the passage of many years, but the essence of the place was still there and it still spoke to me very strongly. The old schoolhouse was crumbling and covered with vines. The photo is of the gymnasium where I used to enjoy shooting baskets (even though the school was closed by the time that I was old enough to do that - 50 years ago). Seeing the school, I was reminded of a poem that I used to love. At one time, I knew the poem by heart; certain verses still remain with me.

In School-days
by John Greenleaf Whittier

Still sits the schoolhouse by the road,
A ragged beggar sunning,
Around it still the sumachs grow,
And blackberry vines are running.
Within, the master's desk is seen,
Deep scarred by raps official;
The warping floor, the battered seats,
The jackknife's carved initial;
The charcoal frescoes on its wall,
Its door's worn sill, betraying,
The feet that, creeping slow to school,
Went storming out to playing!
Long years ago a winter sun
Shone over it at setting;
Lit up its western windowpanes,
And low eaves' icy fretting.
It touched the tangled golden curls,
And brown eyes full of grieving,
Of one who still her steps delay
When all the school were leaving.
For near her stood the little boy,
Her childish favor singled;
His cap pulled low upon a face
Where pride and shame were mingled.
Pushing with restless feet the snow,
To right and left, he lingered,
As restlessly her tiny hands
The blue-checked apron fingered.
He saw her lift her eyes; he felt
The soft hand's light carressing,
And heard the tremble of her voice,
As if a fault confessing.
"I'm sorry that I spelt the word:
I hate to go above you,
Because" - the brown eyes lower fell -
"Because, you see, I love you!"
Still memory to a gray-haired man
That sweet child-face is showing.
Dear girl! The grasses on her grave
Have forty years been growing!
He lives to learn, in life's hard school,
How few who pass above him
Lament their triumph and his loss,
Like her - because they love him.